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PRODID:-//Tonhalle-Orchester Zürich//NONSGML//EN
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CLASS:PUBLIC
BEGIN:VEVENT
UID:87795669e2e1b03190f
DTSTART:20250202T101500Z
DTEND:20250202T113000Z
DTSTAMP:20250202T101500Z
CREATED:20260418T014312Z
LAST-MODIFIED:20260418T014312Z
SUMMARY:Chamber Music Matinee
DESCRIPTION:Clarinet and string quartet – a long-established ensemble for which composers have created outstanding works since the invention of the clarinet in the mid-18th century. Johannes Brahms' Clarinet Quintet op. 115, which was written after he had actually already finished his work as a composer and met the clarinettist Richard Mühlfeld in 1891, who inspired him to write new works, still attracts particular attention. The special feature of this work is that the clarinet, with the timbre of a woodwind instrument, decisively shapes the character of the quintet. Almost 40 years before Brahms, Amilcare Ponchielli also explored these tonal colours in Italy by juxtaposing two clarinets with a string quartet and thus constructing a kind of musical encounter (it. "Il convegno"). And in the 20th century, it was the Englishman York Bowen who further expanded this sound world: he was one of the first to bring the bass clarinet out of the orchestra and into the chamber music ensemble. All of them – Bowen, Brahms and Ponchielli – influenced the repertoire of the clarinet and the string quartet in different ways.

Translated with DeepL.com\n\nYork  Bowen «Phantasy Quintet» op. 93 für Bassklarinette und Streichquartett\n\nJohannes  Brahms Klarinettenquintett h-Moll op. 115\n\nAmilcare  Ponchielli Divertimento op. 76 «Il convegno» (Arr. für zwei Klarinetten und Streichquartett)
LOCATION:
URL:https://tonhalle-orchester.ch/en/concerts/kalender/kammermusik-matinee-1871409/
SEQUENCE:0
STATUS:CONFIRMED
TRANSP:OPAQUE
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